Buy Second Hand Concert Tickets
In Japan, concert tickets are sold in several stages. Usually, the sooner you manage to buy your tickets, the earlier you will get into the venue, and a greater chance to get the best seats. Exceptions are concerts with reserved seats, which are rare.
buy second hand concert tickets
To buy tickets for a Japan concert online outside of Japan, you can turn to an agency that sells e-tickets (electronic tickets) for major Japanese events. Japan Concert Tickets is an authorized reseller for promoters including Smash Japan, Creativeman, Avex Entertainment, IndieAsia, RedBull, and Japan Philharmonic Orchestra. It offers a great selection of tickets that can be safely purchased outside of Japan and used during your trip.
There are also some international agencies that operate in the secondary market of reselling concert tickets worldwide (Viagogo, Stubhub), so just enter Japan (or a city in Japan) in the search field to see the available options. Tickets for sale on these websites can reach astronomical prices, especially for the most coveted events, so consider all options and make your decision according to your budget and how unmissable the event is for you.
As we saw above, there are agencies like Japan Concert Tickets that allow you to buy concert tickets through their English-language websites. The same goes for proxy services and second-hand ticket retailers. If, on the other hand, you decide to buy your tickets through a Japanese agency or in-person in Japan, it will be best to check an online guide or look for a tutorial on YouTube, as almost none of these options are available in languages other than Japanese.
Whether you want to take the chance to see your favorite artist on tour in Japan or just spend one night at a small neighborhood live house, attending a live show in Japan will be the icing on the cake of your trip. Buying tickets for an event so far away may seem like a titanic task, but as we have seen in this article, the options make it easy and you will surely find the one that suits you. Enjoy your nice concert!
Massie says: While we recommend posting tickets through Royal Mail Special Delivery Guaranteed Service, we know that lots of people selling or purchasing resale tickets find it cheaper and more convenient to hand them over in person.
So the question comes up of just how different is live music from recorded music? One thing to remember is that its more than just the sound, its also the experience. Still, there are a few technical differences that you may want to remember when considering whether to buy a music CD or splurge on tickets to the latest concert. In fact, the two kinds of music, and the two experiences can be very different indeed:
We found that even though more than a quarter of concert tickets are purchased three months or more before a show, those early buyers are actually costing themselves money by getting their tickets that far in advance.
Tickets purchased that far in advance cost nearly 14% more than the average ticket price on the secondary market. On the flip side, we found that tickets cost 33% less than average when purchased the same day a concert is taking place. Tickets purchased the day before a show were also a good deal, costing 27% lower than average.
There was one point where Lumineers tickets notably diverged from overall trends thanks to a significant price spike six days before the concert when prices jumped to $284.20. Prices quickly normalized, however, as the day after that average ticket costs dropped by nearly $125 to $160.45.
From there, prices settled to under $100 for each of the four days immediately leading up to the concert. Two days before the show is when Lumineers fans got the best deal, paying just $71.65 on average for tickets.
FinanceBuzz analyzed 22,340 tickets sold across 9,254 transactions completed on the secondary market for concerts performed by 14 major musical acts across multiple genres: Billie Eilish, Billy Joel, Chris Stapleton, Dave Matthews Band, The Eagles, Elton John, Garth Brooks, Luke Combs, The Lumineers, Morgan Wallen, Orville Peck, Paul McCartney, Still Woozy, and Tame Impala. Concerts took place between April 9-May 24, 2022.
All data was downloaded from seatdata.io which tracks secondary market ticket sales for each event in our analysis. This data included date of purchase, the number of tickets sold, and the per-ticket sales price.
Those two Coldplay tickets gave me a whole lot more anxiety than I had imagined. In order to secure good seats, I had to check the presale time, call my friend to help because I had class, ask her to download the Live Nation app to buy presale tickets and secretly check my phone every five seconds during lecture to see if she messaged me. When she told me she had trouble using the app, I fought the urge to to bolt out of the lecture hall to call her, and, contrary to my usual focused self, started texting while sitting in the second row in class.
Getting the best tickets to these concerts often requires a significant battle. Typically, these tickets are ripe for getting snatched by scalpers and ticket-brokers minutes or even seconds after they go on sale.
Other presale methods vary according to the concert, including Citi, American Express and other major credit card presales, which you can access simply by using your card number to buy the tickets. Radio presales are often offered as well, so check the radio sites of your favorite artists for information.
As the concert approaches, check secondhand ticket brokers and scalping sites such as StubHub and Vivid Seats. Depending on demand for a particular artist or event, resellers may be willing to sell tickets at lower prices in order to at least gain a bit of profit.
We understand that for some people buying tickets second-hand is the most realistic option. To help people do this more confidently, we have created a section of our FAQ with tips on buying tickets more safely.
Artists have to pay for the equipment used, venues hired, efforts to train talent, showmanship, and more. Usually, this translates to expensive concert tickets. On average, it was found that pop concerts tend to cost around $100.65, while R&B shows go for $82.76.
"When the sale dropped, we took 496 in New York, 492 in Boston, 496 in LA," Lowson, the former CEO of Wiseguy Tickets, told me in one of our many phone calls over the course of the last six months. "They apologized on the Grammys because of us, and then they had a second round of sales to make up for it. We took all the good tickets in that second round, too."
But no one actually involved in the ticket scalping industry thinks that banning bots will do much to slow down the secondary market. Seven years after his Los Angeles office was raided by shotgun-wielding FBI agents, Lowson told me he's switched teams. Now, he's out to expose the secrets of the ticket industry in a bid to make sure tickets are sold directly to their fans.
A ticket bot is a computer program that automates the process of buying a ticket from Ticketmaster or another primary ticketing website. There are several different types of ticket bots, but the ones that anger Ticketmaster, politicians, fans, and artists are usually sophisticated pieces of software that can snag tickets the instant they go on sale by filling out Ticketmaster's dropdown prompts in a matter of milliseconds; it takes even a skilled human at least 10 seconds to get through the prompt. The most sophisticated bots can be programmed to make thousands of requests on Ticketmaster's servers using thousands of different IP addresses, giving bots another distinct advantage over humans. Once the tickets are successfully reserved, a human can then buy them.
What's missing from the public debate about bots and ticket scalping, however, is a nuanced understanding of how the primary and secondary ticket markets work, and how ticket brokers have a fundamental advantage at buying tickets than the average fan, bots or not. For many brokers, buying tickets is their livelihood, and they're far more obsessive and more motivated to get to tickets first. After all, how much time have you spent studying the underlying architecture and quirks of the Ticketmaster site, researching presale passwords, signing up for fan clubs, or enrolling in presale-specific credit cards?
As momentum was building for the anti-bots law, I began to get frustrated: I understood enough about the industry to know that banning bots wouldn't instantly solve the scalping problem, because the vast majority of brokers don't use bots (I certainly didn't). From my perspective, bots were a bogeyman, a simple narrative that could be used to cover up the highly complex and secretive world of how concert tickets are actually sold. Worst of all, none of the articles blaming bots ever explained how they worked.
What originally made Lowson good at buying and selling tickets is immediately clear when you talk to him. For one, he's an encyclopedia of ticketing knowledge, able to discuss scalping in the days of Roman gladiators and breeze through the slow evolution of ticket reselling from a local business to an international one. He remembers tiny details about specific concerts he sold tickets to and has memorized the seat maps of most of America's music venues. I asked him to send me a couple documents for the story and he sent me thousands of Wiseguy purchase orders, dozens of news clippings about the industry, and various Word documents with long, convincing rants he's written about why fans usually end up getting screwed.
Most importantly, he's just generally good at talking; I would regularly call up Lowson to clarify a small point for the article and 40 minutes later he'd still be explaining Ticketmaster's CAPTCHA system or the reasons why presales are built for scalpers, not fans. This gift for talking came in handy before Wiseguy was using bots, back in the early days when it bought tickets on the phone. 041b061a72